Drama Quotes

The most famous person in my phone is Lindsay Lohan. We starred in 'Confessions of a Teenage Drama Queen' together in 2004 and we've stayed in touch.

I had an amazing experience working with great people. I had a great family, a typical family with drama in certain areas, and that's pretty much everywhere in everyone's life.

Drama lives on conflict. If you're trying to deal with social issues seriously, there's no way of avoiding violence, which is so present in society.

Drama read to oneself is never drama at its best, and is not even drama as it should be.

We try to be driven by what's a good story, what's truthful, and the drama of what happens next.

I like to do drama, something about life that could be disappointing.

It's fun to do a comedy and hook people in and then hoodwink them into watching a serious movie. I like to lead in with the comedy and then hit them over the head with a drama.

If you're doing a drama that has some comedic elements you can't forget that it's primarily a very serious film that has some light relief.

I have no doubt that what we started has become a plague. Because - and that's a million years ago but we got caught up in the drama more than we caught up in going after the facts.

It's a lot of work and I also feel like I've done it. I miss comedy. And I also think that, from purely a logistical standpoint, that the day-to-day schedule on a comedy allows you to have a life, much more of a life, than on a drama.

I think some period drama can be quite alienating, but 'Downton' isn't. This is going to sound quite, um, pretentious, but someone said that it's like a soap written by a poet.

Beethoven had a great look. It was very much about the drama of appearance.

I need drama in my life to keep making music.

I love all kinds of movies. I'd especially like to make some, you know, violent crime drama.

I was supposed to go to drama school and then go to New York and do theatre. But I grew up on all those fabulous movies and had read all the bold Hollywood books, and I thought I just had to take a look.

I do like any kind of project that has both comedy and drama in it because in life you don't have one day where everything is funny then the next day everything is dramatic.

The drama of life begins with a wail and ends with a sigh.

These wrestlers aren't organized. They have no union, no pension and no insurance. You meet wrestler after wrestler who sold out Madison Square Garden ten years ago, basically running on fumes today. There's a lot of drama there.

Boys are so much drama.

I was doing a show at the National Youth Theatre, playing an old man. Before that I had played fat clowns and I thought, 'If I want to have the career I would like, I am going to have to lose weight.' I was just starting drama school, and found I was moving around a lot. I also started to eat sensibly. The weight just dropped off.

Cut quarrels out of literature, and you will have very little history or drama or fiction or epic poetry left.

Acted drama requires surrender of one's self, sympathetic absorption in the play as it develops.

Well, if you look at the whole story, I mean there's only Jews and Romans in the story. I mean I just wanted to flesh that character out and make that a drama about the people around Christ when he was going through this passion.

He was such a fabulous drama coach. What better person to have than Alfred Hitchcock? His work as a director was impeccable. I learned so much.

I find it interesting, the different rules that apply to journalism and drama, even though journalism has become more and more about entertainment, and entertainment has become more and more about journalism.

I think a lot of the instincts you have doing comedy are really the same for doing drama, in that it's essentially about listening. The way I approach comedy, is you have to commit to everything as if it's a dramatic role, meaning you play it straight.

There's an ecstasy about doing something really good on film: the composition of a shot, the drama within the shot, the texture... It's palpable.

The thing a drama school can't give you is instinct. It can sharpen instinct but that can't be taught, and you have to have intuition. It's an essential ingredient.

In my opinion, the most significant works of the twentieth century are those that rise beyond the conceptual tyranny of genre; they are, at the same time, poetry, criticism, narrative, drama, etc.

I want to continue doing as big a variety of things as I can do, and if that means I have the honor of getting to do more feature work, I would love that. I know that if I make any other long-term TV commitments, it's not going to be on a drama.