Cartoon Quotes

Homey don't quit. What else are you gonna do? It's like those guys in the cartoon they get up in the morning, check the clock and fight all day and after it's over they check the clock and go home. That's how it goes.

When you get into statistical analysis, you don't really expect to achieve fame. Or to become an Internet meme. Or be parodied by 'The Onion' - or be the subject of a cartoon in 'The New Yorker.' I guess I'm kind of an outlier there.

I did 14 movies in six years, I had a cartoon TV show, and I don't want to do that again. I just want to make unique pieces of art. That's why I quit everything when I was 14 and sat around for eight years before I did another movie.

Julia progresses from cradle to grave, showing how government makes every good thing in her life possible. The weak economy, high unemployment, falling wages, rising gas prices, the national debt, the insolvency of entitlements - all these are fictionally assumed away in a cartoon that is produced by a president who wants us to forget about them.

I really enjoyed doing the voice of Nose Marie on the cartoon series Pound Puppies. Fun, FUN cast.

You buy any book on color theory today, and it's just complete poppycock. Everybody comes out of school painting pink, purple and green. The whole damn cartoon industry has pink purple and green on their mind.

No one blames themselves if they don't understand a cartoon, as they might with a painting or "real" art; they simply think it's a bad cartoon.

The cartoon is a metaphor really for the fact that it's almost impossible in our celebrity obsessed culture to move around genres and sort of change you ideas, change your face, you know?

My wife, Katey Sagal, has transformed herself from a sitcom cartoon to a dramatic powerhouse.

My dad used to draw these great cartoon figures. His dream was being a cartoonist, but he never achieved it, and it kind of broke my heart. I think part of my interest in art had to do with his yearning for something he could never have.

I was involved in a web cartoon of Kung Fu with WB a few years back.

I wanted to become a cartoon artist, a portrait artist, and an illustrator. This was my first idea.

Picasso's always been such a huge influence that I thought when I started the cartoon paintings that I was getting away from Picasso, and even my cartoons of Picasso were done almost to rid myself of his influence.

I feel like my music is just an extension of my acting. I treat the songs like scenes that tell a story... it's very similar. My favorite thing is when cartoon fans show up to my live gigs! They are always the most kick-butt audience members 'cause they're not trying to act all cool like a lot of the music fans do! It's refreshing!!

I can do a really high-pitched cartoon voice. Everybody always say they like that.

I was influenced when I was younger by the cartoon movies that Disney put out, like Cinderella and what not. I watched those movies over and over when I was younger and the music is ingrained into my head. Nowadays, I'm still humming the tunes. It taught me the fundamentals.

George of the Jungle is a cartoon. He's a guy who swings around on a vine all day. Are you not buying that?

I parody myself every chance I get. I try to make fun of myself and let people know that I'm a human being, and these things that have happened to me are real. I'm not just some cartoon who exists and suddenly doesn't exist.

If I can finish a cartoon in 20 minutes, then that's the ideal editorial cartoon - it's to the point.

When you do a cartoon based on news headlines, you do it based on incomplete information.

I try to build a full personality for each of our cartoon characters - to make them personalities.

I'm like a Dilbert cartoon.

You can't think that you're playing a villain, or you'll end up with a cartoon. You have to think about him as a person and a hero.

I had a great movement teacher - he showed me how to walk so I wasn't becoming like a cartoon.

Animation is different from other parts. Its language is the language of caricature. Our most difficult job was to develop the cartoon's unnatural but seemingly natural anatomy for humans and animals.

The nice thing is that, at least in Los Angeles, I'm known as a character actor and I do auditions for other things besides just cartoon shows.

I think it's a novelty for cartoon characters to cross over into another strip or panel occasionally.

If you're going to make a musical, don't cartoon it from the play. Make it better than the play. Have a reason for making it sing.

Kids cannot follow stories. They don't know what the hell is going on in a cartoon. They like to see funny visual things happening.

It's a sad day when a cartoon is doing more and cares more and pays more attention to the environment than our president.