Broadway Quotes

People wear shorts to the Broadway theater. There should be a law against that.

I did I Love My Wife on Broadway in 1978, and then went into television land. Now things are starting to come together in the way I thought they might when I was a kid.

It's a very tough time for the playwright. Broadway has become almost a musical comedy theme park with all these long-running shows.

I have a place in the Broadway community that can only be earned.

I'm as anxious as any viewer would be to see what Temple is going to do next. All I know is that in the second half of the season, he's going to have more sexual tension developing. And it's a great cast - they're all Broadway actors except for me. I aspire to that.

I've been reading scripts where they've been doing a lot of singing now, but within the dark, realistic story line. I would love, love, love, love to do that. But not a musical on Broadway, I don't have that kind of energy or stamina.

Broadway has always been a dream of mine.

On the screen were some flashback shots of Daniel, Emma and Rupert from ten years ago. They were 12. I have also recently returned from New York, and while I was there, I saw Daniel singing and dancing (brilliantly) on Broadway. A lifetime seems to have passed in minutes.

I was always daydreaming about singing in big productions on Broadway.

I was always drawn to Broadway musicals, and obviously composers like Gershwin, Rodgers, Berlin and Porter were writing music that I found wildly impressive.

If Broadway no longer seems behind the times or ahead of the times, it may be because there are no 'times' anymore, no prevailing Zeitgeist that sets the fashion, pace, and prevailing look.

I like singing as much as I like acting, and all through high school I thought I might be a Broadway singer.

My plan has always been to return to Broadway every 50 years.

I'm definitely nervous and excited. I feel like I've been playing off-Broadway, not to say that Boston doesn't have a great theatre district or great theatre, but it's not going to Broadway; it's just a different city.

The most rewarding thing is being on Broadway. I went into Cabaret as a replacement and was really challenged beyond anything I could have imagined.

I'd studied dance in Chicago every summer end taught it all winter, and I was well-rounded. I wasn't worried about getting a job on Broadway. In fact, I got one the first week.

I have always wanted to be on Broadway, whether on ice or on the boards.

My parents were really, really cool about supporting what I wanted to do at a really young age. I think I was about 10 when I caught the bug. They would drive me down to New York if there were auditions. When I was 12, I did this show on Broadway called 'High Society,' so we moved to New York for the run of that.

I was in 27 Broadway plays, and three of them got the Pulitzer Prize.

It's disgusting that a Broadway show can't try out anymore, that no matter where they are in the world, there is this massive dialogue going on between people damning or praising it.

I did a Broadway show with Alan Alda and how much money can Alan Alda have.

I'm in a play on Broadway, I have an animated TV show coming up, I have a few movies that just came out.

I understand people who boo us. It's like going to Broadway show, you pay for your tickets and expect to be entertained. When you're not, you have a right to complain.

I received the most fantastic welcome to the Broadway Theatre community. I walked on stage to tremendous applause and a long standing ovation, wondering when I was ever going to be able to say my first line!

Because Chicago was to radio what Hollywood was to films and Broadway was to the theatre: it was the hub of radio.

Broadway is a tough, tough arena for singing.

Our only competition in the theater is boredom, because if I'm bored with a play, if I'm revolted by a play on stage, with the Broadway prices, especially today, I'm going to walk out and not come back and pay that price again.

Because even at the age of fifteen, I used to go see all the Broadway shows and feel that they were sentimental, that they were pandering to the audience and trying to manipulate the audience. I had no use for practically any of the shows that were hits.

I got the regular call, that they were doing a Broadway musical of Hairspray, and would I come and audition. I was familiar with the movie, because at the time it came out my lover wrote for Premiere magazine, and we had to see everything.

The first Broadway show I ever heard was the recording of Carousel, and it was a very vivid experience.