Band Quotes

I like the bad-boy types. Generally the guy I'm attracted to is the guy in the club with all the tattoos and nail polish. He's usually the lead singer in a punk band and plays guitar. But my serious boyfriends are relatively clean-cut, nice guys. So it's strange.

All your travelling is together, you eat together, you're on stage as a band together, when you get to the sound-check the band and the crew are all together.

I played trombone for 10 minutes, and then I was in an accordion band in school for even less.

Deep Purple is a damn good band and we've made a niche in rock 'n' roll history. Maybe not a huge one but enough to be very proud of.

Coming back to Yes is like never having left. Even when I have not been in the band, I have always felt part of it.

It's taken folk a while to come around, hasn't it? Even the boys in the band weren't too sure about the whole art thing. They just wanted me to concentrate on the music. But they respect it now.

The band couldn't have happened anywhere else in the world but New York. That was the catalyst.

I think it was probably down to the fact that we weren't together personally as a band. We weren't pulling in the same direction. I always feel if you're having a good time in the studio it actually comes across on the tape and that was a bit of a miserable album for us.

We've never been a religious band, but the media wants us to be.

It has been difficult to hold onto many paintings but I have retained a few. Possibly the current favorite is titled 'Big Band' completed in 2005. It measures 13 feet x 9 feet. It has 18 nearly life size recognizable portraits of the biggest jazz stars that I knew and saw perform in the 1950s, '60s, '70s, '80s and includes Wynton Marsalis.

We are not a Zappa cover band. We only play Frank's songs that were recorded by the Mothers of Invention and I think a lot of those songs were complex.

In a way, it's my way of dealing with, finding closure with Grateful Dead music, and giving thanks in a way to Jerry and Bob and all the guys in the band for making up this wonderful music.

I was so anxious to succeed that I made a practice of appearing on all the disc jockey shows I could, in order to publicize the band.

While I was into many different types of music, and played with many different local groups, I really didn't have a band to call my own until Dire Straits was formed in 1977.

I don't know if I've ever screamed or cried for a band.

When you tour with a band, you're just out there, and it's just you guys. That's your little universe. If you do a play, it's the same deal. That becomes your world, for the cast and crew.

It's really comforting for me and Jeff, at least, that after 12 years we finally feel we've reached a place where we can be more honest, real and loving with each other. And we're finally in a band that we know is good, and deserves the credit it's getting.

We're shooting for the title of hardest-working band in America.

My brother Leon started it all. He played the piano. In school they made me leader of the orchestra because I played the violin, but I followed Leon and the boys in his jazz band around.

Everything is a battle with this band.

I wouldn't do go to another band.

Me and my band and crew have always lived by the code: 'Work hard, play harder.'

I just got a call one day from Ringo asking me if I wanted to go out on the tour. It was as simple as that. He was putting together this band and he heard of me in the context of doing this and he gave me a call. I jumped at the chance.

Every time the guys were knocked out by my guitar playing and the girls were knocked out by the type of songs I did. That set us apart from the average blues band.

In the late '70s, I had a band - the David Johansen band, for lack of a better name - and I started collecting, not records, but tapes from people I knew who had jump-blues records.

I had friends in this band called Mars and they used to play a lot.

What they're not doing is marketing the Dead Kennedys in the spirit of what the band stood for.

What we're doing with Band of Brothers is trying to put it into human terms, so it is not just a flickering, black and white myth on a screen, it is a resonant story. I want the audience to recognize themselves in these men. They're not just mythic heroes.

People don't realize who this band is always been because we're so young, and it's hard to get over that stigma.

I think that the jazzy approach that I have is based on the way that I hear music and in the way I play a supporting role to the other people in the band.