Band Quotes

We're a pop art band. Not a pop band.

That's why it's called Sebastian Bach. I mean, it's a permanent band, pretty much, but if I jam with other people, it just makes a better album, I think.

We learned pretty early on in this band that you can't have snobbery in music.

I've been saying for almost 20 years that I need to do a jazz project and it ought to be either big band or I should do some jazz songs with a trio or quartet.

Heart has always been a rock band. It's always been hard-rock.

Artie travels all the time. The rehearsals were just miserable. Artie and I fought all the time. He didn't want to do the show with my band; he just wanted me on acoustic guitar.

To be a great band it's like you have that telepathy. You know when the bass player's in back of you without even looking. You know when your guitar player's coming up to you to lean up to you and sing into your microphone. You just know these things. You feel it. You feel the energy of it.

I was a jazz major in high school, in an all-jazz band. No matter what I do, it features my musical influences.

It was about working with other musicians, but more than that it's about exploring musical areas that you could never do with the band you're in, in my case Judas Priest. You could tackle musical areas and lyrical areas that wouldn't be appropriate for Priest.

Music rhythms are mathematical patterns. When you hear a song and your body starts moving with it, your body is doing math. The kids in their parents' garage practicing to be a band may not realize it, but they're also practicing math.

I thought my goal in life was to be in a successful band, and I had got that, but I was as miserable as I had ever been, and I couldn't understand why that would be.

I have a really good band, and just returned from a short tour in California. It hasn't always gone that well.

Look, as long as we can make records and sell enough so we can do some shows, that's all I want. You know what? I just want to play guitar and be in a band. Same as I always did.

It's not important to how the band functions or to what we do. That's just many people's opinions on what they see. A lot of people project stuff on you, but that's okay.

My brother had a big band in high school; after that we continued to play together, eventually forming a group called the Jazz Brothers, that recorded for Riverside Records.

Shoe Suede Blues is ten years old this year. The Band consists of four members.

I've never been in a band where someone goes, 'Ah, I've got the perfect name! And it's because I climbed Mount Fuji, and at the top a golden dove came down...' It's always a bunch of guys sitting around going, 'How about Rotten Chipmunks?'

But the reality is that we are a folk band.

I don't think there's any way it could have failed. We don't know failure in this band. We didn't know failure. We got to know it a little after awhile but at that time there was no such word.

You don't want the biggest record deal as far as money goes, you just want to make sure that the people at the label really support your band and the music and stuff.

We've always been a band that stood up for what we thought was right.

I do a lot of curiosity buying; I buy it if I like the album cover, I buy it if I like the name of the band, anything that sparks my imagination. I still like to go to record stores, I like to just wander around and I'll buy whatever catches my attention.

A very common thing these days is people show up and they ask us in the band to sign with a Sharpie right on their skin and they go get it tattooed the next day. Then they'll show up at another show and they'll have their tattoo.

I'm in this band to give volume to various struggles throughout the world. To me, the tension in this band is a minimal sacrifice.

Mark Winchester has left the band. He's decided that he's tired of the road and just wants to concentrate on his career in Nashville. I don't blame him at all. He'll certainly be missed.

The way that we imitate each others' riffs is something that other bands don't do as much. If we're jamming with a jazz band, or I am jamming with a jazz band, I have to catch myself, the tendency is always to do that.

At the art college in Edinburgh someone arranged for some London groups to come up and play. I was in a supporting band, with Bernie Green I think. Derek Bailey was one of the visiting musicians. He seemed to like my playing and asked me to come down to London.

Hopefully, as a band, it will grow and develop for a good length of time.

I played Big Band jazz music. I wasn't into rock and roll. I was just there because it was a living. I surprised everyone. I'm still surprising people.

My first band, Kid Wicked, we did half covers and half originals.