Back Quotes

On this basis, which was originally financial and goes back to George Peabody, there grew up in the twentieth century a power structure between London and New York which penetrated deeply into university life, the press, and the practice of foreign policy.

Those people behind the mosque have to respect, have to appreciate and have to defer to the people of New York. The wound is still there. Just because the wound is healing you can't say, 'Let's just go back to where we were pre-9/11.

People recognize certain things, like 'D' means 'this dialogue stinks.' We're dealing with shows that are written here, shot in New York and posted back here. Accurate communication is a necessity.

I am flying back to New York as I write this. I will never forget these wonderful 35 days and I would go back to Copenhagen in a heartbeat to work there again.

My parents moved back to New York from Florida when I was in the ninth grade.

I'd excluded New York from my writing, and then I came back and I fell in love with it all over again. The energy comes from an absence, that yearning for New York when you are not there.

I certainly want to get back to the U.S. to play. It's such a big country. I've always liked playing there, and enjoyed living there. I lived in New York, LA, and Florida.

I'd wanted to be a writer and when I came back to New York worked as a musician too, but I found my writing starting to get more and more referential to cinema.

I made the decision to come back to New York, quit my job and move to Paris.

It's nice coming to Nashville, and we have four-bedroom house and a dog, and we go swimming a lot. We get down here and spread out a lot, and I miss my sweet tea and my cornbread and my good southern cooking - but I'm down here eating pretty for two weeks and I'm ready to go back to New York City.

I got a script sent to me at this office and I got a call from a woman - Universal's doing a snowboarding movie. I'm not in it yet, but I'm supposed to meet with the director in New York soon. I'm waiting to hear back from them.

I use a professional researcher in New York who does all the legwork, all that stuff which would take me days and weeks of calling, waiting for people to call back.

I'm a country boy. I hate New York. But that's where things happen, so I use it as a base for stories, I know enough about it. But I have to keep going back there.

And when I have lived elsewhere, every two weeks I have to fly back to LA. Even New York directors go there to audition. So I have to be there to a degree.

Yes, I'm supposed to go back to New York to do Geraldo, and we're going to be doing The Tonight Show.

I suppose I started writing seriously at 16 years old. I thought I wrote a novel at 16 and sent it to New York! They sent it back because it wasn't novel.

L.A. is kind of laid back, but New York, everybody is out there for that buck, you know.

When I went back to New York with somewhat of a name, they didn't want movie actresses.

There was a three hour differential in performances because the sponsor insisted it be done live for California. You would go on at 8 pm in New York but you would also have to go on at 8 p.m. in California. That meant coming back in to do the show at 11 p.m.

I had done my first picture and I didn't have anything to do for awhile. I was asked to come back to New York and do Bus Stop in the role of the cowboy opposite Kim Stanley.

It means a lot to be back in New York. Particularly since one of the last senior event scheduled in the States was supposed to be here in New York. We were supposed to play in Central Park right after 9-11 and when 9-11 happened obviously things changed.

New York is a passionate city. They want a winner. They deserve a winner. I think we did an outstanding job of bringing it back.

It always feels good to come back here. I love New York... it's just nice to see a lot of familiar faces.

I've had a pilot every single year that didn't sell for the past four years, that'll smack you in the back of the head. I had a really good one last year; I wouldn't have done the play in New York if I had gotten that one.

And it is always Easter Sunday at the New York City Ballet. It is always coming back to life. Not even coming back to life - it lives in the constant present.

I got Sonny up to Harlem, and we started street playin' in New York. We did that for three or four years and survived. We brought it back to the streets again.

My childhood is completely... when I look back, it was '50s in New York, upper-middle class, it was completely idyllic and golden and wonderful - sweet in every way.

Those 3,000 jobs in Sioux Falls, based on our population back then in Sioux Falls, would have taken 300,000 jobs in New York City to equal it at Citibank.

L.A. is brilliant, but however long my trip is I'm always ready to leave. But New York I'm never quite happy to see the back of.

That was more or less coincidental in the sense that my parents wanted me to come back to New York because that's the center of musical activity still to this day, more or less, and so I auditioned for the Metropolitan Opera.