Audience Quotes

You have to be smart to play a dumb blonde over and over again and keep the audience's attention without extraordinary physical equipment.

I'm the audience's representative on earth.

I've done movies with Oliver Stone and Michael Mann. And I've done quite a few dramas in my time, from the theatre to film work. I just think the audience is used to seeing me on 'Saturday Night Live,' and 'K-9,' and 'Curly Sue' and of course, 'According to Jim.' I think that my comedies have been the most popular.

I've never been one to sit back and go, 'I'd better do what the audience wants me to do, because I don't want to lose them.'

There's something really nice about writing something on Wednesday and watching it being performed live for a studio audience on Tuesday. You never really get that with novels.

In fact, it is amazing how much European films - Italian, French, German and English - have recovered a certain territory of the audience in their countries over the last few years.

They want to let the audience figure things out and let the reaction shot get the laugh.

The challenge to me as a director was for the audience to see the film as going on in a straight line, so that they did not sense all of these break-ups. I did not want a film to be a collage of all these images.

Yes, the audience is so important to Negro music, especially the element of call and response.

We reinvent ourselves to solve a client's problem. It's more than just tweaking. It's rethinking what your audience wants and needs. Isn't that what great actors constantly do?

Things have gone beyond my wildest expectations and dreams, and I feel like I've been given so many blessings in my life, between my friendship with the guys in the band, our wonderful audience, being able to play this music, and then my family.

What if Shakespeare had had a test audience for Romeo and Juliet or Hamlet?

Dancing is my number one love. That was my first goal as a child. I would love to do stage, maybe do Chicago. I love being in front of an audience. It's so stimulating. I also love to barbecue.

My gay audience has been with me from the beginning.

Three times during the show the drums are lifted over the audience - I go up and out, right, left and back.

I think they could of recast the children, I heard of people wanting to do something like that. That would be a nice little show to do but you know that show was of the 80's, I don't think the audience mind set is in that direction any longer.

If the audience doesn't like it, usually they're just silent. But they've never all walked out at once.

When we were trying to get the money for Driving Miss Daisy, everyone kept saying no one could direct it well enough to entertain an audience for 100 minutes essentially watching three people chatting in the kitchen.

A lot of my audience are in their 50s. But they want me to pretend to continue to be pretending.

It's a little like casting out hundreds of fishing lines into the audience. You start getting little bites, then more, then you hook a few, then more. Then you can start reeling them in and that's a loveliest feeling - the whole audience laughing with you.

I look at myself, and I see a Spanish person who's trying to be understood by an English-speaking audience and is putting a lot of energy into that, instead of into expressing himself freely and feeling comfortable.

I know that when I make a record like The Delivery Man as a contrast to even Il Sogno, this is going to reach a wider audience, because it communicates in that very direct way.

The other thing that was very noticeable on that tour, not so much in the video, was the new young element that were coming to our shows... I started to see some very young people in the audience... maybe 14, 15, 16 years old.

Stage is about imperfections and working with them, whether it be from you or the audience.

When I'm asked who my audience is, I say someone with an open mind, which is not a vacant one and sometimes a liberal mind is not the same thing as an open one.

If there were no rules about when to applaud, we in the audience would have the right response almost always.

It was great fun. We had gone on tour in between the sessions and reconnected with the audience and got a lot of energy back from them, a lot of positive energy.

All I want to do is make sure that art is available to all Americans in a participatory way, whether you engage in the art process yourself or you're an audience member.

I shoot people in a way that makes the audience feel equal to them. And it's hard to express and it's hard to execute but I think it works on every level - the choice of the material the choice of the actor, my relationship with the actor, and so on.

I let the audience use their imaginations. Can I help it if they misconstrue my suggestions?