Albums Quotes

There's a plaque on our wall that says we've sold over 65 million albums, and I don't feel I've accomplished anything. I feel like I'm just getting started.

For years, Jazz At The Philharmonic albums were the only ones of their kind.

I've always thought live albums were cop-outs.

For my birthday this year, my girlfriends - who knew I'd just inherited my dad's turntable - gave me a carton of albums like 'Blue Kentucky Girl,' by Emmylou Harris, and 'Off the Wall,' by Michael Jackson. It's all stuff we grew up with. I mean, you can't have a music collection without Prince's 'Purple Rain' - it just can't be done!

It's trippy to think we have an album that's 10 years old. It's even trippier to think we have a couple of albums older than that.

There is a downside to having one of the biggest-selling albums ever.

I wanted to produce Nancy LaMott's albums, so I created my own record company.

When I was 25, Abba was formed. After Abba I made three solo albums. Maybe I have been productive enough.

I can't do anything I want to. I mean, I can't have my own TV show. I can't have my own movie. But within my little world, nobody tells me what to put on the albums.

I've done a lot of albums and I kinda know when I'm onto something that was inspirational for me to record and create, and this was one of those projects where I really enjoyed making the album.

I started in a band called 'Timbiriche,' we toured the world when I was 8; I have 23 albums.

I think that I've got some pretty bad reviews on albums or songs that later proved themselves.

Before our albums are released I feel like we still own it, that we have control over our music. But once it's out there in the world it's no longer ours.

I definitely don't subscribe to the theory that more instruments, or more vocal tracks, harmony, or double tracking the voice, is a good thing. People do their early albums very stripped down, then each album becomes bloated.

I'm the eldest at 51, and if the Stones can drag themselves around once more, then there's a few more albums in us.

I think it's a Blondie tradition that all of our albums sort of have a wide spread of styles.

I was a huge fan of comedy and movies and TV growing up, and I was able to memorize and mimic a lot of things, not realizing that that meant I probably wanted to be an actor. I just really, really amused myself and my friends with memorizing entire George Carlin or Steve Martin albums.

I wasn't allowed to grow as an artist. My albums were nicer to look at than to listen to.

I've appeared on some other people's albums.

Grammys, American Music Awards, successful albums, I'd pick my kids any day over any of it.

I think that all my albums are different enough where I don't feel like I did this the last time.

Well, I think that it is complicated in that the first four albums were all with Universal so they have the rights to that and therefore it is a lot easier for them to do that period.

I mix up all styles on my albums because that is what music is about now.

Hopefully it will be possible to get all our other albums in American shops one day so if people are interested they can hear it but I'm hoping that people are going to be interested in what we are going to do, not just what we've done.

I want to be able to say that a rap career could be ten albums.

Wherever I went, crowds appeared again, and I started making solo albums for the first time in my career.

You don't make solo albums to have hits.

Hip-hop don't have no fresh energy, none at all. It's money driven, everybody tryin' to make that cheque, nobody putting art in their albums any more.

I was king of the mountain for a long time, well, I don't want that no more. I like to perform every once in a while for people who want to see me, and cut albums of music that is what I'm really about.

When I first got married to my husband, he had boxes full of photos of my two stepsons, ages 5 and 8 at the time, and I put them together in some little albums and wrote notes about how happy I was that they were a part of my life.