Album Quotes

If you listen to the left track on their album, if you get The Best of the Mamas and Papas, you listen to the left track, you can still hear a little bit of my voice. My son discovered that once.

Right now the focus is the album that is released and then the tour coming up. After the tour they will let us know about the options and offers that came in for us.

If you get a chance to be in a film, that's great. One of my goals is to make a record as good as Don Henley's album, Building the Perfect Beast.

I want to make a pop album - something more upbeat than my stuff was in the '90s.

It's an album that is a little bit different and probably isn't easy to get out. It's not likely that a major label would have picked it up and said that they had a smash hit record.

I would say that my peak was making my first million at the ripe age of 29, after the first album.

I'm 18 in this album. I'm not losing fans, and I'm not disrepecting women, but you reach the maturity of taking it to the next level with a girl. It was only necessary for me to have at least one song like that.

Now I'm having to live with sales of around 50,000 per album - but I'm pretty content with my place in the general scheme of things, even if it's meant I don't drive a fancy car and can't afford grand vacations.

There was an enormous amount of pressure when my first album took off, and I struggled with the speed of everything and the exhaustion from the constant touring.

I think the themes in my songs are very similar from the first album to the newest one. It's all about the human condition and how we are all trying to learn to live with each other and survive love and life.

I think the theme of the album probably was just that it was our first record.

Very similar experience happened last year when we released this album, North. It was on Deutsche Grammophon, it was very, very honest. It was the most honest record I've ever written.

I have absorbed my life now. I am ready for my music to unfold. I know time flies, but before the end of this year, the album will be out. Even if it kills me.

So we are not doing the traditional album, tour, album, tour, album, tour anymore. We're going to tour when we want to, regardless of whether we've got a record out.

What's the point of re-releasing an album? The original sounded good, why change something about it?

I have recorded nine tracks for a new album which I financed myself and am looking for a home for.

Even though the album is an endangered species, can we try and make a coherent and good one, even if it's like making a horse and cart at a Nascar conference?

I want to communicate through my music. If you want to know Geri Halliwell listen to my album: it tells you more about me than a documentary ever could.

I've basically got an album full of singles.

The new album is a childhood dream come true. Got to sing with Ronnie Spector, got to cover a bunch of songs that were influential in drawing a line between the punk form and original rock and roll.

You know, my first album, some of those jokes I'd done for twelve years because I couldn't throw 'em out.

The experiences of promoting my first album were really something; there is so much illusion in my environment (touring and pop music) that I wanted to clear away.

Didn't Lionel Richie just make a country album? No one is giving him a hard time... and God bless him - I love Lionel and should be able to do what he wants to do, like Madonna should, too. Both are having success and I applaud them. If you don't like it, don't buy it. The ageism criticism is getting old.

My solo album is dead and buried. We had the funeral. It was sad and I cried a lot but it made such a beautiful corpse that we had an open casket.

Well, it's a nice quiet time for Iron Maiden, and I'll be releasing a new solo album next year, so this is a really good time for the managing out my solo career, which is quite well.

When you're on your fifth album, you are going to be judged against all your previous work and expectations.

United Artists wanted to do records with me. I had no idea, what a rare thing that was... to make an album. And they put a guy with me working on songs, and I got busy with films. I just kind of let it slide. Isn't that amazing?

At the beginning of this album I discovered the computer and had great fun playing with the thing. And I realized that, not being a good keyboard player, I could write things in very small sections, give them a certain feel and mess about with bends on the keyboard.

The mystical poetry of William Blake's artwork also forms the basis for the album cover.

The opportunity to record the song came when Phil Collins' record label, Atlantic, was doing a tribute album to him and they asked all these different artists to do renditions of his songs.