Album Quotes

When I did the album for 'When Harry Met Sally,' I found myself out there in front of this big band, which I had no idea how to do, and they wiped the floor with me. It's a very specific skill, and I didn't know how to do it.

We're probably doing better business than we thought we would do especially considering the disappointing way the record company has handled the album.

I'm recording an album. It's sort of techno mixed with garbage - you, know, intense in-your-face music.

When I made Blue Moon Swamp, there was a lot of trial and error; I was trying to find people who would be simpatico with my style, and with what I had in mind for the album.

It was the Control album that was really about what I wanted to do.

People consider Black Star a great album, and I think it's a classic album. But the fact is, both me and Mos Def have made better albums since Black Star.

Am I the man who killed Deep Purple? I don't think so. I think every band from that era, even if you look at Led Zeppelin, if you look at their first four albums, they're extremely different from one another, and I've never made the same album twice.

I think one thing you could probably say for all my albums is that they're all pretty eclectic pop. There's always a little bit of urban influence, some dance, a little bit of country, singer-songwriter, pop-rock. I like everything! On every album you can find that.

There are right and wrong reasons for doing solo projects, and this album was done for the right reasons. At the time there was no Judas Priest and I certainly wasn't going to hang my hat up on my musical career.

It's a shame in a way that people come and go with one album.

If we could sell 100,000 units every album, that would rock. We'd have a big cult following, we'd have a built-in fanbase so we could pretty much play anywhere, people would show up and rock out.

It's a tough thing to know that when you're making your album, you're going to end up collaborating with, say, Wal-Mart, on your artwork. That just sucks. And the pressure behind getting the numbers real fast is, to me, dizzying.

By the time I did that third solo album, I'd finally learned how to do it, but I'd also learned that I liked being in a band.

We were contracted to make a soundtrack album but there really wasn't enough new material in the movie to make a new record that I thought was interesting.

Heartbreak can definitely give you a deeper sensibility for writing songs. I drew on a lot of heartbreak when I was writing my first album, I didn't mean to but I just did.

Then the album created a tremendous furor and got me kicked off Christian television for two months, and then restored after they settled down and listened to the music and realized there was nothing wrong with it.

If I like it, it's gonna be on my album. You can't please everyone.

We have been trying to play a lot of different kinds of music, and probably the next album will go back more towards the direction where you couldn't classify each song as a certain kind of music. This album you can.

I genuinely don't know how many albums I'm going to sell when the new album comes out, because I honestly don't know how many fans I've actually got at the moment.

There's an album by Antonio Carlos Jobim - the album with 'The Girl From Ipanema.' That's the most seductive music ever.

They've got the singles and some people have burnt them from different web sites and stuff. So it was something that we talked about for a long, long time, and I just wanted to make sure that this remix album to be really special.

The Hadley Street Dream is a tribute to making a vision come to life. My father built a compound on a dessert city block, he saw something in that space we couldn't see. It was years later the album was born right there on Hadley St. He built the studio I started recording the album at.

A lot of good has come from drugs. I think 'Penny Lane' is worth 10 dead kids. Dark Side of the Moon is worth 100 dead kids. Because a lot of kids wouldn't even be born if it weren't for that album, so it evens out.

The bar was very high-we had to really make sure that we got what we really wanted, that it was a real finished album. We weren't going to give up until we got that.

My favorite album would have to be something from The Beatles.

Well actually, we are working on the live album from the shows in Japan. I'm trying to get that finished.

With me being form the South, I wanted to make this album like a G Unit.

Then we did what we called basically I suppose a club tour in England, which was the time I think that our second album came out, we club toured around the whole country where the venues were hold to five hundreds upwards to that sort of thing you know.

It's a spirit that was given me and the relationships and meeting all these great people, Duke Ellington, Louis Armstrong; through Max I met a lot of people too. My first album was with Benny Carter.

The whole time after you record an album, you're just waiting for the release date. You're waiting for fans to hear it and stuff.