Quotes By John Cale

I learn from thinking about the future, what hasn't been done yet. That's kind of my constant obsession.

I missed out on my teenage years. I led a sheltered life. I was practicing scales instead of playing football.

I'm content with making records, but I don't want to be doing the same thing all the time.

Growing up in Wales was a pretty Draconian experience with religion.

The value of having a computer, to me, is that it'll remember everything you do. It's a databank.

That's what my life is, writing songs.

I'm impatient. I get twitchy. When I get that feeling I just go out and make something happen.

In cities like New York and Austin, there's much more of a social context for music than in other places.

What I enjoy most about being on stage is that the natural instruments give you a greater freedom with texture. When you use natural instruments they have their own resonance.

We gave up on the idea of trying to make the record a good representation of the live performance.

I never use the word, it's loaded. What love means to me is need.

People sort of know me for that solo piano music I did.

If I'm interested in what I'm doing, other people will be interested in it.

If you're all loaded up on love, you haven't got anywhere else to go.

I'm writing a movie about Mozart going to New York in the '60s. I've been reading so many novels.

I like what the future holds. I don't like thinking about the past.

Time plays a role in almost every decision. And some decisions define your attitude about time.

The only reason we wore sunglasses onstage was because we couldn't stand the sight of the audience.

Even if you're improvising, the fact that beforehand you know certain things will work helps you make those improvisations successful. It really helps to have a certain amount of knowledge about musical structure.

I want to get lean and mean, keep it minimalist.

All of the sudden the audiences started getting younger and the spread of the attendance was really wide. I think it's as a result of the records selling more that they started following our careers.

We'd hold a chord for three hours if we could.

When somebody grabs a movement, you're kind of locked into it. It's all par for the course.

The avant-garde makes more sense to me.