Quotes By E. L. Doctorow

Writing is immensely difficult. The short forms especially.

When you're working well, you don't do research. Whatever you need comes to you.

In the twentieth century one of the most personal relationships to have developed is that of the person and the state. It's become a fact of life that governments have become very intimate with people, most always to their detriment.

We're always attracted to the edges of what we are, out by the edges where it's a little raw and nervy.

Like art and politics, gangsterism is a very important avenue of assimilation into society.

Writing is a socially acceptable form of schizophrenia.

The writer isn't made in a vacuum. Writers are witnesses. The reason we need writers is because we need witnesses to this terrifying century.

I did have a feeling then that the culture of factuality was so dominating that storytelling had lost all its authority.

History is the present. That's why every generation writes it anew. But what most people think of as history is its end product, myth.

Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.

I began to ask two questions while I was reading a book that excited me: not only what was going to happen next, but how is this done? How is it that these words on the page make me feel the way I'm feeling? This is the line of inquiry that I think happens in a child's mind, without him even knowing he has aspirations as a writer.

I can walk into a bookstore and hand over my credit card and they don't know who the hell I am. Maybe that says something about bookstore clerks.

Congress is so beholden to the money that any solution in the general interest will be frustrated and subverted by the corporate interests who feel they will be damaged by progress, fair play and justice.

One of the things I had to learn as a writer was to trust the act of writing. To put myself in the position of writing to find out what I was writing.

Good writing is supposed to evoke sensation in the reader - not the fact that it is raining, but the feeling of being rained upon.

Writers are not just people who sit down and write. They hazard themselves. Every time you compose a book your composition of yourself is at stake.

There is no longer any such thing as fiction or nonfiction; there's only narrative.

The historian will tell you what happened. The novelist will tell you what it felt like.

Movies are too literal.

Planning to write is not writing. Outlining, researching, talking to people about what you're doing, none of that is writing. Writing is writing.

My theory about why Hemingway killed himself is that he heard his own voice; that he reached the point where he couldn't write without feeling he was repeating himself. That's the worst thing that can happen to a writer.

Things that appear on the front page of the newspaper as 'fact' are far more dangerous than the games played by a novelist, and can lead to wars.

I thought I would lose, so I didn't prepare a speech.

It's like driving a car at night. You never see further than your headlights, but you can make the whole trip that way.

When I'm writing, I like to seal everything off and face the wall, not to look outside the window. The only way out is through the sentences.

Somewhere along the line the rhythms and tonalities of music elided in my brain with the sounds that words make and the rhythm that sentences have.

A new reader shouldn't be able to find you in your work, though someone who's read more may begin to.

A period of time is as much an organising principle for a work of fiction as a sense of place. You can do geography, as Faulkner did, or you can dwell on a particular period. It provides the same framework.

I'm not the sort of writer who can walk into a party and take a look around, see who's sleeping with whom and go home and write a novel about society. It's not the way I work.

Writing is an exploration. You start from nothing and learn as you go.