Quotes By Barry Mann

I quit college. I was studying architecture for about a year.

The real danger of writing a great song when you're on something is that it might get you thinking that the only way to repeat that is by only writing when you're high.

There's so much fear involved in trying to do something you don't know how to do that drugs and alcohol can become a big part of your life if you have an addictive personality or are very unsure, which most songwriters are.

If we didn't get the record, we didn't exist.

I've written songs sober and I've written songs high.

I think that most writers who wait until they're inspired to write are just waiting for the fear to subside.

It's very hard to teach someone how to write a song if to begin with there's no creative crop to harvest.

We lived, ate, and breathed pop songs.

I think if one wants to be in a continual state of insanity one should stay married to that writing partner.

If I waited for inspiration every time I sat down to write a song I probably would be a plumber today.

One other thing, if it's possible, as songwriters, you should also develop yourself as record producers.

You're going to have more rejection than acceptance.

We became the songs we wrote.

You can get stale writing with each other for a while.

Cynthia's lyrics always expressed the feelings people felt but they couldn't express themselves.

I get a different kind of lyric from someone else that might make me go in a different musical direction.

You have certain writing tools but generally creating something from nothing makes one quite mad and Cynthia and I are quite mad you know.

I know at the beginning of our careers, my wife and I were gut wrenchingly competitive.

Probably most successful songwriters have an innate songwriting ability.

You've got to really be able to accept the rejection.

I looked through our catalog year by year, and I saw that there were pockets of time when we wrote some terrific songs. Then all of a sudden, we'd go for another two or three months and there weren't great songs.

You have to be very brave in that first writing session.

It's amazing how a competitive nature can turn a negative into something positive.

It's very important, at least for me and for Cynthia, to get outside input.

We've written something like 900 songs in all.

If we were the team that won out, then life was good and we felt that we were worth something.

I also used to work in the Catskill Mountains as a bus boy, and I performed in talent shows.

A guitar riff played on a piano doesn't come close to the purity of it being played on a guitar but I faked it enough to get by.