Quotes By Guillermo Del Toro

I think there are movies that are so gigantic that you need a second unit.

For Devil's Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.

It's only in modern times that we have come to glorify vampirism.

The other thing that I started doing for myself was, I went through my diary of ideas that I keep and made sure that the translation of the comic to the movie was good.

I'd grab the camera and tell people what to do, and when I was 14, someone told me that it was called directing.

I see horror as part of legitimate film. I don't see it as an independent genre that has nothing to do with the rest of cinema.

What happens to me is that I am first and foremost a film geek.

There are two levels of vampirism: one is the regular vampire, which is just like it has always been; and then there's the super vampires, which are a new breed we've created.

Hellboy is the first movie where both ends of the spectrum are combined.

Well, the first thing is that I love monsters, I identify with monsters.

Well I think effects are tools.

In that, Blade 2 is very much like a rock concert... if it's too loud, you're too old.

I like John Carpenter. I like some of his films more than others.

I was directing before I knew it was called that.

When I was a teenager there was no video in my country. Betamax came to Mexico very slowly.

But I think we are seeing a resurgence of the graphic ghost story like The Others, Devil's Backbone and The Sixth Sense. It is a return to more gothic atmospheric ghost storytelling.

They're getting more and more experience on what to expect, and the Hellboy audience is such a faithful and fanatic audience as I am, and you have to really be very open about what you do.

I like actors that are good with pantomime and that can transmit a lot by their presence and attitude more than through their dialogue.

I think there is a very quiet power in things that are not on screen.

I'm a lapsed altar boy.

I was part of a group that had a cinema club so every week we would project two or three movies on 16 or 35mm.

I started when I was eight, doing super 8 films.

I think that The Eye is a particularly Americanized take on horror.

For eight years I did effects for other movies until I got my movie made.