Quotes By Marc Jacobs

I always say that I'm not the director, I'm part of the team.

I mean, I'd love to have a private jet - I know people who fly by private jet all the time... I've hitched a ride a few times and it is not overrated at all; it's a great way to travel!

I have no problem going on record with this and probably have gone on record with this before, there aren't that many people who I respect. There just aren't.

For so many years, I felt so insecure, so inferior, and I still have those moments, but I have a newfound confidence since I got in shape and changed my diet.

I always find beauty in things that are odd and imperfect - they are much more interesting.

I'm someone who came to Paris as a teenager, and I dreamed of coming back to Paris as a visitor. I never dreamed of having a job at the biggest luxury house in Paris and, you know, 15 odd years later, I'm still here.

I like spending time at home. In Paris, people drop by and have a bite to eat, or they drop by and watch Friends on TV. I take my dog to the office there, and I walk to work sometimes.

We don't need fashion to survive, we just desire it so much.

I love attention.

I wouldn't know how to find eBay on the computer if my life depended on it.

Sometimes there are two very opposite directions, and we go with the stronger one at the end. It's an impulse thing, like, 'Oh, I love both so much, but it's got to be one or the other because the two don't work together.'

But the customer is the final, final filter. What survives the whole process is what people wear. I'm not interested in making clothes that end up in some dusty museum.

Sometimes I miss hamburgers, I should say that. I miss the tuna pizzas at Mercer Kitchen.

I don't see myself as being as big of an influence as other people seem to think.

I don't think, 'Gee, I'd like to dress this person.' There was a picture in Us magazine. It was a jersey dress, and Courtney Love was wearing it. I have this thing about Courtney Love, this funny worship.

In terms of having a business, I wanted to let it go beyond what my personal taste is. Basically, I'm in a kilt and a white shirt every day. So, you know, I don't have a lot of scope, and I'm really picky about what I wear.

I think of many people and no one as a muse. I love the way Sofia looks always, and I love the way Kim looks always. Fashion may be part of their world, but it's not their whole life. It's not everything.

I empathize with women in their high heels so I'll be there in my kilt and T-shirt and I'll walk around all day just to prove that if I can wear the shoes for 36 hours then certainly our customer can wear them.

I love to take things that are everyday and comforting and make them into the most luxurious things in the world.

Yes, I always remember my dad's, mom's and my grandma's perfumes.

I really do believe that art changes the landscape of the world.

But I'm blessed to work with great people. I collaborate with brilliant stylists both here and in Paris. I work with a great design team. I really allow everyone to bring their ideas. I almost rely on them to inspire me.

I like to take on the thing I don't like at the moment. I like to find something that looks wrong or feels off, something that I would never have done in the past, like brocade. And then all of a sudden, if we can make brocade work, then we've really done something, because I hate it. And that's just a reference. I don't actually hate brocade.

It's quite nice to see that I didn't have to change who I was to reach two very different types of people.

There is a small world of people who are very interested in contemporary art and a slightly bigger world of people who look at contemporary art. But then there is a much larger world that doesn't realise how influential art is on things that they actually look at.

I always find it kind of embarrassing, kind of funny, and kind of exciting. In New York I'm recognized a lot, although nobody says anything. You know, they stare at you just a second too long. But in Paris it's not as commonplace to be recognized.

It just seemed too weird to me. I don't know, maybe they were smoking a joint in the car downstairs from their parents' apartment. I had to go that far to put together a scenario of how they could have possibly recognized me.

But in another, I think a woman's going to go into a shop to find a coat or a jacket and I just don't think she's not going to go into a shop because of a bad review she probably didn't even read.

I'd like to believe that the women who wear my clothes are not dressing for other people, that they're wearing what they like and what suits them. It's not a status thing.

We're developing things, but I don't know what we'll go with for the show, so I don't like to talk about it.