Quotes By Jason Mraz

As an American citizen, one has to vote.

Genre-spanning is the effort to make the live show interesting. It's also a great way to challenge yourself as a writer.

I'm trying to be more of a gentleman.

If I'm in a relationship, that girl gets showered with letters from the road. I pour my heart into it.

I didn't know if I had the music for it or if I could pull off the larger concert experience. Then I realized if I can just continue to be myself, I'll be all right.

A rescue mission doesn't involve going in and just taking a child and leaving. You can't just choose any child at random. Every kid has a case that is based on that child's original family. So, we made it over to a village, found the child; we were interacting with the child.

I always think of the live show first, where the song is gonna go in the show. That's why they aren't sad songs. When I play, I want to make people happy, not sad. It's such a pleasure for me to do what I do, and I want other people to feel some form of that pleasure, too.

The easiest songs to write are pure fiction. There is no limit to how you can tell the story. I find it difficult when I'm replaying an event through a song.

I'm not a virtuoso on an instrument. You know, I'm not always singing in pitch. I laugh sometimes my way through the shows, but I'm an honest songwriter who's always tried to bring the audience with me on my journey in hopes that they see their own lives reflected in the work.

My goal is to show everyone that they, too, can do what they love to do.

But my strength was in singing and songwriting, which was a new discovery for me when I was 18. And I decided if I pursued songwriting, which is what was closest to my heart, then there would be no competition. I would just live my life being myself and living my dream.

Music is a weapon in the war against unhappiness.

Careers can disappear just as quickly as they're made, so I'm in no hurry.

I listened to the radio, so I was influenced by everyone from Michael Jackson to Milli Vanilli. But thankfully my dad had a collection of Cat Stevens albums while my mom was listening to jazz.

It's easier to write from my own life, and it's also more fun. I always write about relationships, for instance, whether they're romantic relationships, friendships, encounters... there's always a lesson to be learned from them.

There's a certain feeling of giving, a certain feeling of generosity in love songs. When you sing a song of love, you're actually giving something to yourself, too. You're singing and casting these affirmations of love out into the universe.

Surrender to life itself and you'll just be rewarded with so many things. And I've been rewarded so many times, in so many mysterious ways. So I have no reason to be disappointed with anything.

If you have nothing but love for your avocados, and you take joy in turning them into guacamole, all you need is someone to share it with.

Our shows are packed with laughter and light-hearted songs to lift the listener from their everyday life. We encourage the audience to participate in any way.

Everything in life influences my music. I've always used songwriting as a means to share what I think is profound.

A lot of those ideal towns are all starting to look the same, the specifics are starting to disappear. So we need to retain a love for life, a love for one's family, a love for where one's really from.

I call it sacred geometry. When everything's just right and it feels really balanced, so that when it unfolds to the next part, you feel totally familiar and at ease within the song.

I basically had the idea when I was 18 that I wanted to write my own songs. I knew it was going to be a long, tough road, and I was like, if I just begin now, by the time I'm 40, I'll be good at it.

But that guitar is the perfect companion to the human voice. You rest it against your gut, against your heart, and when you strum it the vibrations go outwards for all to hear, but the vibration also hits you on your body.